Parasite: The 21st Century’s Defining Film of Class and Chaos
How Bong Joon-ho’s Masterpiece Redefined Cinema
A Cinematic Triumph
In a landmark announcement, New York Times has declared Bong Joon-ho’s masterpiece Parasite as the greatest film of the 21st century. The film, released in 2019, has captivated audiences worldwide with its incisive commentary on class disparity and the chaotic implications of neoliberalism.
> “It’s a delightful yet bizarre narrative,” the NYT notes, “one that seamlessly navigates the realms of wide-ranging comedy and sharp social critique.”
Revolutionizing Film
Bong Joon-ho is celebrated as a genre-defying maestro, and Parasite stands testament to his prowess. Winning four major awards at the 92nd Academy Awards, including Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film, Bong’s genius was globally recognized.
> The NYT highlights, “At its core, Parasite is a tale of have and have-nots. Its finale, an explosion of tragic violence, is both shocking and inevitable.”
Bong Joon-ho: A Filmmaking Star
When Parasite premiered, Bong Joon-ho was already a luminaire in the art film circuit. Yet, by the film’s conclusion, he was propelled into the stratosphere as a new cinematic superstar.
Other Notable Mentions
The NYT also celebrated Bong’s earlier film Memories of Murder (2003), which secured the 99th spot. Described as a thought-provoking exploration of humanity’s limits when faced with unfathomable evil, it skillfully blends sharp drama with unexpected humor.
Furthermore, Park Chan-wook’s Oldboy (2003) was recognized as the 43rd greatest film. The film, famous for its intense corridor fight scenes, is likened by NYT to an operatic embodiment of twisted thriller elements, delivering constant provocation and unease till its final act.
Korean Filmmakers Make Their Mark
Also celebrated is the autobiographical piece Past Lives (2023) directed by Korean-Canadian Celine Song, debuting at the 86th position. Celine, the daughter of renowned filmmaker Song Neung-han, invites audiences into her mesmerizing narrative.
This extensive survey conducted by NYT involved 500 film industry professionals worldwide, canvassing their opinions on the greatest films released since January 1, 2000.
Parasite‘s crowning as the century’s best applauds Bong Joon-ho not only as an exceptional filmmaker but also as a visionary able to transcend cultural and language barriers with universal truths.
